What? No Draft Today?! (How To Not Heap on the Guilt)

48º ~ desperately seeking our normal beautiful spring temperatures, still there is sun and all the trees are at some stage of budding out with the sweetgum running last and the bleepity bleep privet winning, those tiny pale-yet-neon green flags are a heartening sight


Today, no draft for me.  Sigh.  I am struggling to avoid heaping on the guilt.  It seems that re-entering the semester after Spring Break has been a challenge for all involved this year and I am not weathering it well.  The last six or seven weeks of the semester are always hectic, and I'm trying to take a lesson from my friend RR who is also trying to go with the flow rather than getting pushed and pulled along.  But to the draft.

Today is one of those days when the Big Rock Reading Series and Drafting Day overlap, so I've spent the last few days putting things in place for tonight, only to wake up in the middle of the night thinking of three or four things I've totally neglected and need to add to my checklist.  Yes, I have a checklist that I print out each time one of these events approaches.  I'm a geek like that. 

So, how am I avoiding the self-punishment of feeling guilty about not drafting.

1.  Remembering student responses to previous BRRS events.
2.  Remembering that today is still going to be about writing and sharing, just not about my writing.
3.  Remembering that the angry sisters (my current drafting obsession) will still be there, just below the surface, and hoping that they won't be angry at me!
4.  Looking ahead to the weekend and thinking that maybe, just maybe I can shift some grading and do some drafting Saturday morning.
5.  Remembering that teaching is my paying gig (and one that feeds me in other ways as well) and that I'm fortunate to be able to take the summers off (please do not mistake me here, this means NOT getting paid for three months) and write for days on end.
6.  Chocolate & coffee, always, chocolate & coffee...and in the a.m. that chocolate is delivered in a candy bar disguised as a fiber bar.  Hah!

Onward!

Tonight, we are going to have a wonderful time with local author Carla Killough McClafferty, who writes nonfiction books for middle grade children.  She began writing with a book about her spiritual journey in the wake of her young son's death, and then she turned to what has become quite a lineup of these nonfiction books.  We are going to hear about The Many Faces of George Washington, which McClafferty likens to "C.S.I. meeting the biography channel" as it follows a group of historians, scientists, and artists trying to recreate the most accurate renderings of George Washington.

If you live in the area, I hope you can come out to enjoy!

See you on the flip side!

Draft Process: In the Aftermath We Became Prairie Sirens

38º ~ sliding backward into winter temps, but at least we have sun and not the sleet predicted, rain is in the offing through tomorrow, highs only in the low 40s ~ cruel, cruel


Today's time at the desk of the Kangaroo is a tale of both failure and what might be counted as a success. 

Last night, I remembered to remind myself that this morning I would write a poem.  I remembered to remind myself all through my morning routine of shower, dressing, breakfast, coffee, &etc.  Alas, no spark of inspiration like last week.  Instead, I sat down at the desk with all of my necessary ingredients (a clear desk, my journal & pen, some instrumental music [today, Thelonius Monk], and a window), and NOTHING.  So, I went back and read all my new drafts since finishing the sickly speaker.  The fall was mostly silent, with a few poems drafted in November, but things picked up in December and onward, so I have a nice little handful.  Luckily, I still like many of the drafts, and luckily, I didn't get sidetracked with revisions, just jotted down any notes that struck me so I could come back to them later. 

Once I finished reading the work in progress, I expected something to happen, so I opened my journal and scratched out a few forced lines.  Bleck.  Then, I decided I would open up Traci Brimhall's Our Lady of the Ruins (my personal response to the book is here) because she uses the plural first person in many of the poems, and several of my newer poems (the angry sisters) use that point of view as well.  After reading two poems, I thought I was inspired; I thought I was beginning a draft.  I dutifully wrote out ten lines or so of really terrible narrative, the most non-poetic stinkbombs I've written in a long time.  Those lines languished on the page and did not give me the excitement, the tingle (yes, the spidey sense) that I needed to switch to the computer and finish the draft.

Le sigh.

So, back to the book and back to a process that has yet to fail me: word gathering.  I started at the first poem in Our Lady and gathered (i.e. stole) a bunch of nouns and verbs from Traci, with all respect and admiration.  Once I got abut thirty of them scrawled in ramshackle fashion across the page, connections began to spark.  I drew my arrows and circles connecting words (it's important to note that I never collect two words from the same line and make sure to place words from the same poem far apart on the page in my journal; my intent is never to plagiarize).  The two words that sparked today's real draft, the one that might be a successful poem someday were "honey" and "hourglass."  I suddenly had an image of the sand in an hourglass replaced by honey and what that would mean in terms of time.  In that moment, the angry sisters snapped back and started singing. 

We filled the bedside hourglass
            with honey, slow slurry
to time our ill-fated rendezvous...

Another important note about word gathering: I usually only end up using three or four pairs from what I've scribbled in my notebook.  As the draft takes off and gathers to a critical mass, I'm able to access my own word store and find my own interesting clashing together of language.  I guess I'm a bit like those old engines that need priming before they fire to life.

As for the title, this poem takes place after the family catastrophe, and the draft ended up taking a really quirky turn with the angry sisters becoming these pulsing, sexual bodies, and I had an image of the sirens of mythology, but this time the setting is on the prairie (oh, how I missed it while I was away with the sickly speaker!).  I hope folks will get the allusion in the title when they read the full draft.  I know that sirens on the prairie are usually associated with tornado warnings, so I'll have to see.

Until then...

Where I've Been: Harding University

48º ~ bright sun, tiny breezes, a massive drop in temps predicted after today (snow forecast in the northern tier of Arkansas counties for Friday) and through the next week  ...uhm...hello?...spring???

So, this is Spring Break.  A little bit of sleeping in; a lot of catching up on household tasks waylaid by the semester and AWP.  Oh, and yes, there is grading being done as well.  It never stops!

In terms of poetry, yesterday I had the great fortune to read for and talk with Dr. Nick Boone's Poetry Writing class at Harding University in Searcy, AR.  While I love to do readings, combining them with class visits is my absolute favorite thing to do, and Dr. Boone's students did not disappoint.

For the reading, Nick had me email him a file with my poems and as I read, the poems were projected onto the class screen.  This was the first time I'd done something like this and it was interesting.  First off, as I finished each poem, I needed to scroll down to the next one.  I read from printed copies and then leaned over to maneuver the mouse.  What I liked about this was the forced break between poems.  When I read, I definitely try to give each poem its due by pausing after the last line. (Pet Peeve: when at a poetry reading and the poet rushes to say something almost before the last word of the poem is out of her mouth.)  Having to manipulate the computer made a natural break between poems.  Second, as I read, the students were following along on the screen.  This was a bit of a difference for me, as I practice my readings a lot and really try for eye contact with the audience.  Luckily, there were a few students who seemed focused more on me than the screen.  I do see the value of the printed poems as I read, especially for beginning writers of poetry, as they could see linebreaks and stanza breaks and all the white space on the page.  

After I finished reading, I had some craft notes prepared, but I really just love to talk with students and opening up the room to questions worked perfectly.  The students were bright and articulate and asked all the right questions so that I was able to incorporate my craft notes into a more free-flowing discussion.  We talked about poetry being part inspiration and part craft and that the craft comes along from reading a lot and writing a lot.  In particular, I covered sound and form, form in terms of free verse still needing structure and how important linebreaks and stanza breaks can be, even when not using a formal method.

All in all, it was a great day focused on poetry and students, two of my favorite things!

Four Poems from the Sickly Speaker @ Connotation Press; Two @ diode

54º ~ oh yeah, baby, 54º and the sun is just starting to come up...hello spring!, hello Spring Break (in four hours!)

Many thanks to Kaite Hillenbrand and Ken Robidoux over at Connotation Press for showing the sickly speaker so much love.  These four poems are from near the end of her journey.

And earlier in the year, the irreplaceable Patty Paine and Jeff Lodge over at diode gave her a bit more encouragement.  Two poems that also appear near the end.

Draft Process: Home Ec 101

45º ~ headed for 70º today and nearing 80º for Fri/Sat ~ wahooooooooooo! ~ bright, clear skies, spring breezes tease the tattered remains of the privet tree outside the window, beaten down by the Xmas storm, new leaves are budding


Credit this draft process with chaos. The first line struck me from out of the blue, on one of the planes home from AWP 2013 (Boston).  I saw either an ad or a typographic poem that featured the image of a hive in cross section with words on it, now I'm thinking it was definitely a poem.  In any case, out of nowhere, I heard in my head, "The angry sisters were born with no hive mind."  I scribbled it down in the back of my Zone 3 notebook (see earlier post about forgetting my journal).  And then, chaos ensued.

I hit the ground running Sunday evening and haven't stopped until this moment, catching up on student emails, doing laundry, restocking the kitchen, teaching, prepping, grading, &etc.  Somewhere in there I caught a few hours of sleep each night.  Last night, as I was thinking about today, I planned to go into campus a bit later because I will be attending a fund raiser tonight that will keep me on campus until 9 or so (with a silent art auction, where I always SCORE!)  In any case, the point of this is that in all the chaos, I wasn't even really thinking that Thursday morning = drafting time.  Somewhere around 5 a.m. when the cats started wanting their breakfasts, it dawned on me that YES, I was going to draft a poem, come hell or high water.

As I went through my ablutions (can't do anything until my [non-religious] ablutions are through...blessings to those who can pop up and start to write!), the line came back, "no hive mind."  Hmmmm.  As I was pouring my cereal, but before I'd gotten to the milk, a whole ton of lines just cascaded down on me.  So, I went back to the desk, sans cereal, and started writing, quickly b/c I was STARVING.  Once I'd gotten to the end of the initial rush, about ten lines, I went back and ate my breakfast.  Those ten lines were waiting for me when I was ready to draft, and with a bit of pushing, a bit of prodding, I turned out a three stanza, 19-line poem.  The stanzas are four lines, seven lines, eight lines, and the lines are all around eight syllables and between four and five stresses. The title, "Home Ec 101," did not come easily and I'm not sure it is a fit.  However, this subject matter is so very different from the sickly speaker, who lent herself to my lifting titles from several poets I love (aka Lucie Brock-Broido, Mary Ann Samyn, and Emily Dickinson), that I'm not really able to follow the same method here.  Instead, I'm back to sifting through the dark for a title.  Minor complaint, given the fact that amidst the chaos, I did, in fact, draft a poem today.

Wahoooooooooo!

AWP 2013: Pictorial

34º ~ spring is reticent in Little Rock, but trees are budding and birds & bees are doing their birds & bees thing

**I wish I'd taken about 100 more photos, as there are so many friendly faces missing from this post.  Next year, I'm attaching my camera to my lanyard!

Steve Schroeder, nacho killer

Traci Brimhall, duck lipped texting

Alison Pelegrin, Louisiana beauty

Eric Morris (BOR), concentration face

Stephanie Kartalopoulos, in the nick of time

Marie Gauthier with Georgie, Rose Carlson, my Tupelo Press touchstones

Yep, that panel is SRO

Mary Biddinger (BOR) & Helen Vitoria (Thrush), bookfair queens

Allison Benis White, I bought the first copy of her new book!

Missing Tara Bray!

Seth Pennington & Bryan Borland (Sibling Rivalry Press), Newlyweds!

The writers go up, the writers come down.

Attempting to part the writer sea.

Tawnysha Greene, finally meeting in the flesh!

Traci Brimhall & Chad Sweeney, off-site banter

Laura McCullough, lovely lady in red light

the amazing Ken Robidoux, Connotation Press

Laura McCullough, this is AWP for me!

My brother, Al Maginess

Cutest picture of Al ever!

In the trenches at Dunkin' Donuts, Hynes Convention Center

Boston snow

Erin Coughlin Hollowell, her book is out and she flew all the way from Alaska!

Josh Robbins, his book is out from UARK, woo pig sooie!

David Clark, my Little Rockian-in-law (32 Poems)

Andy McFadyen-Ketchum (poemoftheweek.org) and Matt Guenette

 (with Mark Sptizer)

Jim May (with Adelyn)

Lisa Fay Coutley, in the flesh, shouting it out, Adam Vines approves

Greg Alan Brownderville, preaching to the masses

AWP 2013: Part 2: Friday-Sunday

54 degrees with bright sun in D.C. for a layover

Friday morning at AWP, I discovered that Dunkin Donuts does not have soy milk.  What?  I'm pretty sure I'm not the only one in the world who can't drink cow's milk.  Hmmmm.  Luckily, there was a proper coffee shop/bakery in the Prudential mall, just a 3 minute walk away.

Coffee fulfilled, I made my way to one of the best panels.  I don't have the full title here but it was on the "Colloquial Baroque," a term coined by Lisa Russ Spaar, whom I dearly wanted to hear.  Alas, she was snowed in.  Brinda Hillman, Brian Teare, and the other panelists were amazing.  This was a panel on what Keats calls "the fine excess" and on the blending of dictions in contemporary poetry.  Bingo!  Bullseye!  It's definitely going to take me a few days/weeks/months to sort through my notes and thoughts on this one.

More bookfair encounters occurred, followed by a lunch with Carol Berg, whom I'd only ever known by her poems and by her blog/Facebook.  Sadly, after lunch I realized that I'd completely overdone it on Wednesday afternoon/evening and Thursday all day.  I managed to go to Adam Prince's and Charlotte Pence's signings at the Black Lawrence table before stumbling back to my room and falling into a deep, dark nap.  This revived me enough to be passing fair for a dinner with the lovely women of Tupelo Press, Marie, Dylan, Rose, and Georgia (Marie's dear baby girl).  Much laughter and good conversation accompanied California Pizza Kitchen.

By Saturday, I was running on Fumes, but managed to get up for a breakfast meeting with poet Martha Silano.  Martha is coming to Little Rock in April to be part of the Big Rock Reading Series and the Arkansas Lit Festival.  Wahoooooo!  I spent some more time in the bookfair before attending a panel reading from the University of Arkansas Press anthology Breaking the Jaws of Silence, in which 60 American poets were asked to write poems in response to the protests in Iran and the death of Neda Agha-Soltan.  I was bummed that Quincey Troupe got snowed in, but the rest of the panel blew me away, including and especially, Yusef Komunyakaa.

Then, there was lunch and shipping books home to Arkansas.  I shipped home 16.2 lbs of books and my suitcase was 15 lbs underweight, so I could have save the $$ and lugged the books home, putting two more in my carry on, but I was tired and didn't want to have to wrestle the big suitcase.  While I had spent a few moments here and there with good, good poet friend Al Maginess, we didn't manage to find some time to sit and catch up until coffee Saturday afternoon.  Such a great benefit of AWP these small moments of calm with an old friend.

I wrapped up AWP with an off-site reading where I got to meet a few more friends previously only known via Facebook and blogs, and then I put myself to bed early.  Yes, this means that I did not attend any of the major evening events sponsored by the conference.  I had hoped to see Lucie Brock-Broido read with Anne Carson, but my body betrayed me.  These readings don't start until 8:30 and are often attended by great swarms of people. Too much.

This morning, I slipped out of the hotel and due to a clock fumble, wound up at the airport unbelievably early.  I thought my AWP moments were over, when lo and behold, Kerry James Evans woke me from a Facebook stupor and I managed to have one more good talk over a cup of coffee as we both waited for our plane.  By a stroke of luck, Kerry's plane had been changed.  AWP blessings?

And now, now I'm just ready to be home, to see Chuck, play with the cats, and sleep in my own bed.  AWP 2013 was definitely a success!  (Pictures wouldn't load from my iPad, so expect those in the next few days.)

AWP 2013: Part 1: Wednesday - Thursday

29 degrees with thin filmy clouds at Logan Int'l in Boston

My AWP began before I even left Little Rock, as it turned out that John Vanderslice, Mark Spitzer, and Robin Becker, all of the University of Central Arkansas (Toad Suck Review), shared my flights with me.  Once on board the plane, I realized that I forgot my journal.  Wow!  That's a first.  I ended up tearing out the few blank pages at the end of the two lit mags I had with me and using those.

When we landed in Charlotte to connect to Boston, I met fellow blogger Jessie Carty for the first time.  As she and I stood chatting waiting to board, our conversation turned to AWP, and wouldn't you know it, the person next to us was going also.  This was my first introduction to Katie Booms, who would pop up several times in Boston.  On the flight to Boston, I eavesdropped on several conversations all around me.  Yep, writers bound for AWP.

Once settled in the hotel, registered, and de-airplaned, I enjoyed my regular AWP kickoff tradition of sharing drinks with fellow Arkansas alum Adam Prince and the lovely Charlotte Pence.  Sadly, I forgot to take their picture (and they are stunning!).  Then, it was off to dinner with Bernadette Geyer, whose new book is out from Word Works, and Steve Schroeder, before our off-site reading for Barn Owl Review and Thrush.  Many, many thanks to super editors Mary Biddinger, Eric Morris, and Helen Vitoria for inviting me to read, even though I don't write those entertaining, sexy AWP poems.  :)  The only thing missing was the wonderful Stephanie Kartalopoulis, whose flights were delayed by the storm.  Lucky us, she arrived in the nick of time, baggage in tow and with airplane mouth, but undeterred.

And that was Wednesday.

On Thursday, I started in the bookfair, and the first thing I did was scope out a notebook.  Luckily, the folks at Zone 3 had a deal: a back issue for $5 got me a handy little notebook.  Cruising the bookfair is one of my favorite AWP activities.  Before I arrive, I actually plot out all the tables and booths I intended to visit for sure.  I stop by the tables of journals that have published me and give thanks, shaking hands with editors and readers.  I pop into the booths of certain publishers and grad school programs to hug old friends and buy books just coming out.  If I tried to list all the folks I hugged or met this year, you'd stop reading.  Suffice it to say, these interactions are invaluable and they re-energize me for the rest of the year.

AWP has grown to such large proportions (11,000 writers > the number of people in Monticello, AR where I taught for 18 months after grad school), that the conference is now held in convention centers, and the one in Boston is attached to an upscale mall.  I am not a shopper by any stretch of the imagination, but I definitely enjoyed the foodcourt as an alternative to the long lines at the Dunkin Donuts closest to the convention center.  It was also great to watch the masses of non-writerly folks try to figure out just what alien population had descended upon them.  We writers are known to sprawl haphazardly, tossing bags and books here and there, moving chairs and tables as needed, etc.  Our conversations, when overheard, must seem quite strange.

Each year, I seem to attach myself to a doppelganger or two, and this year was no exception.  Oliver de la Paz, Steve Schroeder, and Katie Booms seemed to cross my path with greater frequency that anyone else, and I am happy they did!

Thursday afternoon, I attended a great panel on fundraising, information I hope to take back to PTC and use for the Big Rock Reading Series. Then, there was more bookfair and what was, perhaps, the most important panel for me this year, a memorial for Jake.  Everyone who spoke brought Jake's spirit alive in that industrial conference room.  We all cried and we even managed to laugh a few times as well.  And while I will still mourn my friend, I feel, at last, that his death is real.

In the wake of the memorial, I really didn't feel like going out; however, I had several friend reading at an off-site.  It was Jake who gave me the energy to go out.  I thought on the times I missed a chance to talk with Jake, and I remembered that this life is fleeting.  I went out, enjoyed good friends and good words, and slept well.

Drafting by the Smell of It

38º ~ bright sun for now, some clouds expected too, a definite lengthening of the days observed both morning and evening, a comfort


Last night I remembered to remind myself that today I should draft a poem.  To many people this may seem forced; however, for me it works in the way many athletes use visualization.  If I take a moment to see myself at the desk the night before, there's a better chance I'll actually get a draft done the next morning.  My record proves it.

Again, this morning, as my mind churned through several items needing attention at school, I had to remind myself that this was writing time.  I had to turn off the teacher brain and turn on the poet brain, and, yes, this required attention on my part.  It did not happen naturally.  So be it.

You might understand, then, that I was sure nothing good would come of my hour at the desk today.  Happily, not true!  A strange thing happened in the last week.  I was invited by the wonderful poet Jehanne Dubrow to participate in an anthology of poems based on perfumes.  How cool!  The poets who agreed to participate were each sent a tiny sample of a perfume and asked to write a poem in response to that scent.  This startled and scared me, but I knew it would be good for me.

My scent arrived sometime in the last week, and I immediately smelled it but didn't do anything with it.  Last night, I tossed the letter of explanation and the tiny vial on my desk in case I needed inspiration this morning, which I did.  I began, again, by smelling the perfume.  Then, I did a little research on the title of the perfume, which is based on an English nursery rhyme.  This led me down several Wikipedia roads, including how perfumes are made, all eventually abandoned.

I sniffed the perfume again and suddenly, the scent and my recent topic of obsession, the three sisters, all snapped into focus.  I grabbed my journal and drafted out the first half of what became today's poem.  I do not know if it will be the poem I send in for the anthology, as I've got a few months before that poem is due, but I do know that I'm grateful to Jehanne for the prompt.

As many news reports tell us, smell is one of our most overlooked senses, and it is often tied to memories.  While smelling my sample didn't immediately transport me anywhere or bring up any specific memory, it did shock me out of my normal routine, and it did lead me into a poem.  I'm not sure how to translate this prompt into something that would work in the classroom or for myself later on.  I suppose one could go to a department store and randomly pick a cologne or perfume and get a sample card to take home and work on.  In a classroom, too many scents might muddy the air.  Still, it would be fun to give the students a scent and have them write a poem from their own experience or a persona poem based on who might wear this scent and what might happen.

I do know that I'll be looking forward to this anthology and seeing what other writers did with their scents.  I do know that I'll chalk today up as a 'win' for getting a draft down on paper.

Heron Tree

42º ~ all clouds and bluster after a night of rain, an evening of thunderstorms, no sun today

Amidst all the chaos of a spring semester and the life of a teaching poet, the past work of reading submissions for Heron Tree bears fruit.  Chris, Rebecca, and I spent many hours this fall reading poems and making tough decisions, and it was a weird adjustment to not be reading submissions when we made it through our stacks.  Now, however, we've begun to see the reward of that work (thanks to Rebecca's diligent site management!). 

If you haven't been following along each week, I hope you'll check us out.  This week, we have a poem by Jeff Hardin, "To a Hymn Book," and all of the poems we've published so far are available in the archives.

While we won't have a table at AWP, I'll be representing and pressing a postcard into your hand if I see you there.  If you catch me early, I may be able to have a cogent conversation; if you catch me later, I may simply say, "kyowk!" and collapse in a heap of feathers at your feet.  And so it goes.

As the World (of a Teaching Poet) Turns

37º ~ return of the full sun after an icy/rainy couple of days, inching back toward more temperate climes

Forgive me, Reader, it's been far too long since my last post (sometimes I'm sure I should have been born a Catholic for that religion's focus on ceremony and repetition).

When last I posted, it was the morning of the 14th. Sadly, that afternoon, I learned that my Grandma Merna had passed away.  Merna Slack, my mother's mother, was my last remaining grandparent.  She lived a long life, dying peacefully at age 88, a life free from all major diseases and a death so peaceful that my mother didn't know she had passed for several minutes. We are sad, but thankful for her long life and for the wonderful caregivers she had around her at Lakeview Landing at Friendship Village.  I was lucky to be able to drive up home on Friday and spend some time with my family before returning to Arkansas on Monday.

At that point, panic kicked in.  Papers were due Monday night from two of my classes.  I had a Big Rock Reading Series event to host on Tuesday and I hadn't gotten everything prepared before leaving town.  I had taxes to file (my goal always being to get them filed before Spring Break, as the Spring semester has a way of galloping on like a runaway at that point), which my sister, the tax preparer had been kind enough to review for me while I was home.  Poems and stories were due for the beginning workshop in my creative writing class, and I'm working on writing a blurb for a friend's chapbook, due by Monday!  Oh my, did I mention that it is an 11 hour drive each way to get home, and I'm not as young as I used to be?  So, there was a bit of road-weariness as well.

Those who see me on a daily basis know that I always wear a medallion of the famous British poster, "Keep Calm and Carry On."  (I also have the poster on my board outside my office.)  It helps to remember to slow down and breathe.  Oh, and there's being thankful bombs aren't falling all around me as well.  One of these past weekday mornings, as I got into the car to hustle to school, NPR was reporting on yet more violence in Syria, this time with a death count of 52.  Another stark reminder that it's all going to be okay for me, and I'm so lucky.

As the world turned this past week, the papers did come in and, as always, I began methodically working my way through them.  The reading was a huge success, and I'm so happy that I got to spend a bit of time with friends Carolyn Guinzio and Davis McCombs.  Several folks commented on how their poetry is so different and yet complementary at the same time.  I concur.  We had about 60 folks in the audience, and about 75% of those were students.  As has proved true in the past, many were there for an assignment or for extra credit; however, by the end of the night, most were listening with great respect and attention.  (Of course, nobody's perfect, and there were those in the audience who were texting or playing solitaire on their phones...we'll get them next time.)  Davis and Carolyn both read a few poems from their existing books and then read from newer work.  What a joy to get a preview of what's coming next.  Can't wait!

The taxes got filed on a blustery/icy Wednesday afternoon. The poems and stories came pouring in on Thursday.  Oh, Thursday, at that point, I wasn't even thinking of writing a draft (for shame!).  I was derailed with stormy weather (a much anticipated ice/snow day did not pan out) and grading.  Then, Thursday afternoon, I curled up with my friend's chapbook manuscript and was swept away by his amazing poems.  Delight!

Yesterday was one of those days where I was just holding on.  By 2:00 when I got home from school, I collapsed on the bed and fell into a deep, dark sleep for an amazing two hour nap (not something I usually do!). 

Today, I've woken feeling almost back to normal, and I'm trying to ignore the fact that AWP is something like 10 days away (breathe, breathe, breathe).  As the world of a teaching poet turns, there will be papers to grade, emails to answer, the business of life to conduct, a little bit more mourning in the quiet times, and many, many poems to read.  At some point, the writing will return.  I'm sure of it.

Draft Process Notes, The End? and other news

39º ~ Sunny, sunny, sunny side up


Yes, I did draft today.  Not very happy with it.  The whole process felt forced, the lines falling in thuds rather than running smoothly.  I swear my word brain is all gunked up with something sticky and foul-smelling.

I am not sure I want to continue to post about my process for each and every draft.  I'm not sure I have anything new to add as I'm not exploring any new prompts or techniques.  The habit of writing these notes developed and coalesced in the months leading up to my work on the fever series and the two melded into one project.  Now, I'm not sure that commenting on each draft matters as much to me.  I'm waffling, reader, in case you couldn't tell.

The long and the short of it: some days drafting is hard; some days all is doubt & uncertainty.  Perhaps I will feel differently if & when a draft arrives in some more graceful fashion.

~~~~~

In other news, I just submitted my first course description for the new low-residency MFA program at the University of Arkansas Monticello.  The courses will all be conducted on Blackboard (an online learning system), and I think this one, in particular, will be offered to grad students and upper-division undergrads.  Regardless, I'm stoked!  If you know of anyone contemplating a low-res MFA, please pass along the link.  Deadline to apply is March 16.

Contemporary American Poetry: 1960 - Present

This course surveys the diverse range of American poets publishing from 1960 to the present.  Poets covered may include Ai, Ashbery, Clifton, Dove, Ginsberg, Glück, Hahn, Hass, Komunyakaa, Kumin, Li-Young Lee, Levertov, Levine, Lowell, Merwin, Nye, O’Hara, Olds, Plath, Rich, Roethke, Sexton, Snyder, Soto, Strand, Valentine, C.D. Wright, Charles Wright, and James Wright.  We will read broadly rather than deeply, with each student choosing several poets for in-depth research that will be shared with their peers in the class.

~~~~~

Also, I'll be reading on Friday night in Conway at the launch for the latest issue of Toad Suck Review.  Looking forward to hearing the editorial staff read, as I wasn't able to make it to a reading in December where some of them read.  (That cover is in 3D and the issue comes with a pair of 3D glasses tucked into a library pocket inside the back cover.  Cool.)

~~~~~

AWP is less than a month away.  ACK!  Once again, I'd like to be in three and four places at exactly the same time.

What I'm Reading: O Holy Insurgency

44º ~ sleek gray skies, rain on the way, what serves as winter in the south


Warning!  Danger!  Hot Potato!  Mary Biddinger's latest book, O Holy Insurgency, just out from Black Lawrence Press, is an incendiary, surreal testament to passion, to the desire to go beyond coupling and become one.  It is a heart on fire and a speaker who claims in "Forensics," "All I wanted was for you to burn / me down." 

That "you" is at the core of the book.  The majority of the poems feature a first-person speaker telling and retelling both the creation myth of her Beloved and the story of their coupled love.  In "Dyes and Stitchery," the speaker claims her first sight of the Beloved is when "you were just a sprig of asphodel" and later asks "Were you born / in a field, next to a barrel filled with burning // plywood?" Later, in "Route 31" when the speaker and her Beloved have met and become a couple, Biddinger knocks us out with "We flattened into // the soil, two switchblades out / of our handles and gleaming."

These are not romantic poems in tribute to love.  These are electric, all-American (Detroit, Michigan made), fragmented, 21st century poems exploring both the desire to be twinned in love and the frantic, near-violent explosion of that desire.  Biddinger uses the language of religion as a backdrop for her speaker's coming of age, which provides depth and gravity amidst the chaos.  Here are some titles:

"Ode to Your Innocence"
"Heresy"
"Saint Vodka"
"My God"
"A Genesis"
"An Incarnation"
"O Holy Insurgency"

and some without the religion

"Prelude to Our Escape"
"Where You Store the Gun at Night"
"Disturbance Near an Unnamed Creek"
"Committee of the Whole"
"A Bravery"

Here's a taste of "A Coronation"

... .  Youthful
defiance was best demonstrated
by my mouth's insubordination
in times of dire panic.  Translated:

no measure to calculate the drift
of my lips down your back.

And from "A Very Hard Time"

A man on the television noted
difficulties, the new trouble

with air, schoolgirls loosing
their braids in directions

that could only mean evil.

Do not open this book expecting a neat, tidy narrative of love.  Instead, expect bits and pieces tumbling and spilling, disparate images slammed together and throwing sparks. 

Acceptance & Rejection; Or, How the Lit Mag Landscape is Like Dating

38º ~ brightish white cloud cover, solid, stormy weather in the offing ~ chickadees, sparrows, robins, and more, feeding in the dead leaves and brambles of our ramshackle backyard, leafy debris popping up to reveal each bird's location


If you follow me on Facebook, you know that earlier in the week, I began composing a new song, to be sung to the tune of "Conjunction Junction" from Schoolhouse Rock.  My song begins, "Rejection jection, you're an infection."

In the span of two or three days, I recorded four or five rejections, which is not unusual; however, two of those rejections were more deflating than the others.  You see, I've been trying to get a second date with Gulf Coast and a third date with Black Warrior Review for years. 

I had my first date with Gulf Coast on 4 Dec. 2004 when I received the email that the journal wanted to publish "The Empty Set, Recurring."  I'd received several encouraging rejections with personal notes in the two years before the accepted poem, so this was a confirmation that the poetry world was working as it should.  

*It is important to remember that Gulf Coast is a journal housed in a graduate program, and while the readers/editors do not rotate every single issue, there is turnover as time passes.

After my publication in GC, I continued to submit regularly, always beginning my submission letter with a gentle reminder about our first date and our apparent compatibility.  On every rejection, I received a personal note from one of the poetry editors, until the journal switched to an online submission manager.  (This is one of the bummers about many online systems; the editors have to take an extra step to include a note.)  For the past two submissions, I've gotten automatic email rejections.  However, I've just compared them, and yes, Dear Reader, there is a difference.  This latest rejection includes "keep [us] in mind for future submissions."  Well, my, my...another glimmer of hope arises.

Next, I received another form email rejection from Black Warrior Review.  This situation is a bit more tense, since the editors found poems of mine fit for publication twice in the past, but since 2007 have been sending along the "best of luck placing these poems elsewhere" emails.  In all other aspects, the situation mirrors that of GC.  BWR is a journal housed at a graduate program with a rotating set of readers/editors, and I send my "hey, remember, we went out a couple of times before" note with my submissions.  So far, that third date is playing very hard to get. 

Still, I persist, with both journals.  Foolishly?  Maybe, but I read both journals and think they put out stellar issues.  The rejections just make me want to work all the harder to make my poems stand out.

~~~~~

In the meantime, I've got a new poem that has finally, finally, finally landed a first date with The Southeast Review, another journal housed at a grad program and another journal that consistently publishes amazing work.  When I got the "let's go out on a date" email yesterday afternoon, I got all giddy and excited.  I've been submitting to this journal since 1999 when it was still called Sundog: The Southeast Review.  In fact, I mistakenly posted on FB that I've only been submitting since 2003 b/c I had lost track of the submissions in the other name. 

I've just reviewed all of my submissions and rejections.  Not one single word of encouragement over the years.  But still, I persisted.  I persisted because I read the journal and enjoy what it does.  I admire the writers I find there and I want my poems to rub shoulders with the poems, stories, and essays of those other fine folks. 

~~~~~

In another FB post and the resulting comments, my stubbornness was revealed in my refusal to accept Microsoft's lackluster dictionary in Word, in my refusal to update the dictionary on my personal copy of the program b/c I think it is Bill Gate's responsibility to sell a product that doesn't continue to dumb down the world.  Well, my persistence in submitting poems to journals is another example.  It's fitting that when I was waiting for Blood Almanac to appear on Amazon, I would search for "Longhorn" and what would come up?  Bone Head: Story of the Longhorn.  Yep.  That's me!

To run the dating analogy into the ground: there are are a lot of fish in the sea, and thank goodness, writers get to be polygamous when placing their work in literary journals.

Draft Process: Born Fighting

53º ~ milky, gray-white overcast with a chance of storms


Today, I have Mary Biddinger to thank for my draft process.  I have begun to make my way through Mary's new book O Holy Insurgency, which is a powder keg of what simmers beneath the surface for its questing speaker.  When I sat down this morning, I had sort of forgotten about my drafting goal and just picked up O Holy Insurgency.  It's the kind of book that pulls you in quickly and wraps you up.  I'm only a few poems in, but when I got to "A Gauntlet," I read "But we were born fighting."

And zing...I thought of my new poems and how I've been working with the group of sisters as a plural speaker.  So, the "we" in the above line connected and a bunch of flashes connected and I knew I had to put down Mary's book and pick up my journal.  I used her line to start a poem, although, quickly I realized, her line would become the title.

I ended up with a very solid 12 lines of the first stanza and then got mired down in the mud trying to write forward into a second stanza.  For some reason, I think that I need to describe all the kinds of fighting this group of sisters does.  The first stanza, the one that came easily, has to do with their births.  Then, I moved on to their coming of age fights and things didn't go so well.  Right now, I can't say if the poem will grow larger or if I will cut it down to just that first stanza, which seems to contain all of the energy.  Hard to tell.  And I think this is one of the dangers of working with a set speaker before a critical mass of drafts has developed.  Perhaps I don't know enough about these sisters to know where the poem is going.

Also, while I've hinted that these new poems touch on something autobiographical, I should note that today, more than ever, I've seen these sisters morph into their own characters and divorce themselves from my personal story.  That makes me so happy!

Another twist is that these last two drafts have been sparked by a single word or phrase that I've read, which has led me to drafting.  In the past, I've relied on the word bank for more inspiration.  Interesting.